Light effects (lens flares) and interior shots. Done at Digital Domain, Venice CA August 2009 Director : David Rosenbaum Agency: Team Detroit / Dearborn, MI Production Company: Digital Domain/ Venice, CA ANIMATION & VISUAL EFFECTS: Digital Domain, Inc. President of Commercials, Executive Producer Ed Ulbrich Executive Producer / Head of Production: Karen Anderson Visual Effects ..
Lead Senior Flame Artist Flame compositing of the tent lift until the fall into the lake sequence. Sky replacements/Landscapes beauty work For Digital Domain : VFX Producer : Melanie Larue VFX Supervisor : Fred Raimondi Senior Flame Artist : Stephan Pilon Lectez
I was a lead Nuke compositor on this show. credits: Directed by Carl Erik Rinsch For Digital Domain : VFX Producer : Chris Fieldhouse VFX Supervisor : Jonah Hall Houdini Artist : James Atkinson CG Artist : Casey Bern Nuke Compositors : Krista Benson Rafael Colon Senior Flame Artist : Stephan Pilon Lectez
Directed by Raf Wathion DFX Supervisor/Lead Flame Artist On-set supervision of the silk elements, light effects and cars shoot Flame compositing of all the shots except the black silk sequence For Digital Domain : Visual Effects Producer: Melanie La Rue VFX Supervisor: Les Ekker DFX Supervisor: Pilon Lectez FX Coordinator: Cassandra Khavari Lead Roto Artist: ..
Directed by Carl Erik Rinsch Lead Senior Flame Artist Flame compositing of light effects on the interior shots For Digital Domain : VFX Producer : Chris Fieldhouse VFX Supervisor : Jonah Hall Houdini Artist : James Atkinson CG Artist : Casey Bern Nuke Compositors : Krista Benson Rafael Colon Senior Flame Artist : Stephan Pilon ..
Directed by Carl Erik Rinsch Lead Senior Flame Artist Flame compositing of the cg lines (first four shots) and full cg end shot. Flame line animations and compositing for all the other shots. For Digital Domain : VFX Producer : Chris Fieldhouse VFX Supervisor : Jay Barton Cg Animator : Matthew Bell Senior Flame Artist ..
Directed by Carl Erik Rinsch Senior Flame Artist Atmospheric clouds addition. Wide snow shot Flame compositing. Last four shots color matching. Overall Master color correction For Digital Domain : VFX Producer : Chris Fieldhouse VFX Supervisor : Jay Barton Nuke Compositing : Rafael Colon Senior Flame Artists : Stephan Pilon Lectez Dave Stern
I Have a Rendezvous with Death…. A Trailer I worked on at Digital Domain, for Epic. I was responsible for the Character Rigging, and Technical Export and Implementation Pipeline. I Implemented over 100 Blend shapes for Marcus’s facial animations, to be able to give him range of expression. I also placed a lot of rocks ..
Animation of the Church of the Merciful Father (Dives Mercy) by Richard Meier built in Tor Tre Teste (Rome) for the Jubilee 2000 adopted in 3D with 3ds max and mental ray (photogrammetric lights) by Roberto De Angelis for your thesis
Directed by Bobe Cannon. Created by Theador “Dr. Seuss” Geisel
Credits: Lighting and Compositing Supervisor, Environment modeling Executive Producer: Al Shire, Creative Director: Tim Miller, Written and Directed by: Jeff Fowler Client: Blur Studio Short Media: Short Film Awards: Nominated for an Academy Award, Best Short Film Created at Blur Studio, 2004
Hello, in this tutorial I would like to show you how to create good looking, realistic grass. This tutorial is for every max users – beginers and advanced. You have to remember that to creat good grass we need many, many polygons – and that is only one problem in this subject – as you ..
Hernando the pirate and a cast of hundreds star in this riotous musical dance number, created by Thomas Bernos, Jérôme Haupert and former 3D World cover artist Nicolas Lesaffre. Based around the 1950s song ‘Hernando’s Hideaway’ and featuring syncopated puppet-style animation, lavish nautical sets, and some crazed setpieces, this Supinfocom graduate short is quite unlike ..
A Disney animated version of “Treasure Island”. The only difference is that the film is set in outer space with alien worlds and other galactic wonders. Directors: Ron Clements, John Musker